Título: | AN APPROACH TO FASHION FIELD IN RIO DE JANEIRO: THE CASE OF RIO DAS PEDRAS FAVELA | ||||||||||||||||||||||||||||||||||||||||
Autor: |
LUISA HELENA SILVA MEIRELLES |
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Colaborador(es): |
ALBERTO CIPINIUK - Orientador |
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Catalogação: | 09/MAR/2012 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||||||||||||||||||||||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=19255&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=19255&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.19255 | ||||||||||||||||||||||||||||||||||||||||
Resumo: | |||||||||||||||||||||||||||||||||||||||||
The aim of this study is to render problematic the relations between fashion
design industry in Rio de Janeiro and popular production of textile articles and
clothing, based on objective relationship and practices performed by a group of
seamstresses living in Rio das Pedras favela, located in Jacarepaguá district, Rio
de Janeiro. We sought to examine the relations between the development of textile
design and attire commercialized in luxury boutiques and the work of nonspecialized
seamstresses and producers, so named by the cultivated people, which
sometimes is performed in a handicraft way in domestic clothing studios. To do so
we´ve made theoretical research and field work, developing photographical
material of the area, interviews and group discussion with seven seamstresses to
investigate aspects referred to the production and the reception of fashion in this
context. In that sense our research aims to understand in which extent there is an
activity of design that can be considered hybrid according to the concept of
hybridism developed by Canclini and propose a dialogue among the issues that
seek to determine the borders and tensions existing between the handicraft and
industrial practices. The relevance of this study for the field of fashion design
remains in the fact of setting up a new focus for the productive aspect and give
voice to a group of people who act invisible most of the times.
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