It s one intention to analyse the comparison between two different authors views of the film entiltled Barravento (1962), whose names respectively are Luiz Paulino dos Santos and Glauber Rocha. The first one view was captured only through his original screenplay, whereas, in the case of the second, one chose his views on both screenplay and film. Their both perspectives were based on the Brazilian socio-cultural concepts of those times, mainly in Bahia around late 1950 s and early 1960 s. During the analysis, it s one intent to reflect upon the diverse views of pop culture, the concept of people, Afro-Brazilian religions, alienation and also the rolls which intellectuals played in those society were adressed.