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Título: CREATURES AND INVADERS: THE REPRESENTATION OF ANTAGONISM IN SCI-FI MOVIES
Autor: RODRIGO DE SOUZA ESPIRITO SANTO
Colaborador(es): MIGUEL SERPA PEREIRA - Orientador
Catalogação: 02/OUT/2006 Língua(s): PORTUGUESE - BRAZIL
Tipo: TEXT Subtipo: THESIS
Notas: [pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio.
[en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio.
Referência(s): [pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=9090&idi=1
[en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=9090&idi=2
DOI: https://doi.org/10.17771/PUCRio.acad.9090
Resumo:
The purpose of the research is to identify frequent archetypes in american science ficction movies. Starting from the definition of movie gender and the analysis of the archetype role in film narrative, Jung s archtype model will be used in order to establish the two most frequent myths in Hollywood´s sci-fi universe. The creature, brought up by some techonological discovery, turns its back on its creator as in Prometeu in chains, and the invader, a technologicly more equiped alien civilization that comes to conquer our planet and destroy our way of life. Two of german film-maker Roland Emmerich s movies will be used as corpi. Independence Day, as an example of the invader archetype and The Day After Tomorrow, to illustrate the criature mythological archtype.
Descrição: Arquivo:   
COVER, ACKNOWLEDGEMENTS, RESUMO, ABSTRACT AND SUMMARY PDF
CHAPTER 1 PDF
CHAPTER 2 PDF
CHAPTER 3 PDF
CHAPTER 4 PDF
CHAPTER 5 PDF
CHAPTER 6 PDF
REFERENCES PDF