Título: | INTELLIGENCE AND CHAOS: ESSAY AND FORM IN MAX BENSE AND ROGÉRIO DUARTE | ||||||||||||
Autor: |
FERNANDA RODRIGUES LEMOS |
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Colaborador(es): |
FREDERICO OLIVEIRA COELHO - Orientador |
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Catalogação: | 03/DEZ/2020 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=50614&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=50614&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.50614 | ||||||||||||
Resumo: | |||||||||||||
Inteligência e Caos – Ensaio e Forma em Max Bense e Rogério Duarte relates the
essay Brazilian Intelligence – a Cartesian reflection (2009), written by the German
philosopher Max Bense (1910-1990), between 1961-1964, to the book Tropicaos (2003),
a collection of texts by the Brazilian designer Rogério Duarte (1939-2016). Conducted by
a single loose thread – which brings us especially to the early 1960 s, when Rogério
Duarte was a student of Max Bense for a short period –, the research aims to fill a gap, or
at least collaborate for a future filling, between thought these two multidisciplinary
scholars (not well known to the general public) and who were simultaneously in contact
with important cultural personalities of the time. From 1959 to 1969, based on facts and
deviations, I worked with some aesthetic intersections between the Brazilian designer and
the German philosopher, investigating how artistic exchanges with different avant-garde
and intellectuals might have contributed to the articulation of national cultural
production. I seek to problematize how bensean thinking about Brazilian intelligence
might have designed an idea of the future for Brazil and how its categories might have
taken shape in Rogério Duarte s work. And, still, how the fusion of the Cartesian spirit
(present in the urbanism of the city of Brasília) with the tropical spirit (found in the city
of Rio de Janeiro) could represent this Brazilian intelligence and be operated by the
aesthetic ordering of Rogério Duarte. So, I set up a Graphic Organizer to present the
interactions between Max Bense and Rogério Duarte with other intellectuals of that time.
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