The focus of the present study is female Rap Battles. It seeks to understand metapragmatics built in female Rap Battles on two YouTube channels. The research lies in the historical and social assumptions of Hip-hop, in which Rap Battles are inserted, as an environment of male hegemony. Its theoretical orientation is Contemporary Sociolinguistics, within the scope of Applied Linguistics, in interface with Linguistic Anthropology, Pragmatics and Philosophy of Language. Language is understood as performance of meanings. Concepts of performance, performativity, metapragmatics, indexicality, entextualization and scale are used. The methodology adopted is ethnography with the concept of onlineOffline mobility in a qualitative and interpretive view. The analyzed data point out that when battles are posted on YouTube, stabilized meanings suffer a process of rescaling and meaning productions. The word, as the central axis of the battles, is a mechanism for operating meanings in struggles that cross the experience of the MCs. Metapragmatics point to collective causes in a spiral fashion and bring other voices to the rhymes. The semiotic process in the MCs rhymes seeks to produce alliances between women in rap. Meanings are evaluated by the virtual audience in comments, which promotes a reflective construction on the scales. Thus, we could notice the productions of meaning in female Rap Battles work with orders of indexicality, in order to operate metapragmatics on both cultural practice and life. Meanings are intertwined by historical, political, social and cultural issues about black women, lesbians, parenthood, sexuality, harassment, representation and religion.