Textual spraypaintings (in which content are made of phrases, words of demand, etc, in opposition, at this work, to the tagged ones) appear at different spots of urban spaces. That practice, officially declared as crime, agroup in its gesture of occurance and, mostly, in its literal content, resistances to an opressive and silencing power system. Furthermore the gesture of deface the city, to spraypaint it, the spraypainting itself, at the city walls, represents, at this work s vision, the trace of a performing act executed by dissonant bodies before a social and political established ordenation. At this dissertation, textual spraypaintings are read as choreodisruptions (LEPECKI, 2012), and act as sparks to the development of a thought about narratives that start from a self-subject and then are thrown out of that centered self. Therefore, comes up the proposition of the text as a friction-writing: self-fiction alike literary proposals in which figures a high friction between the author and the literary text, and between the author s body and the power system.