In this text we seek to reestablish what we find, as an aesthetic community, in the thoughts of Walter Benjamin, Theodor W. Adorno and Max Horkheimer, that is also linked to the politics of writing they employ. In this sense, we see two sources for the problem of this approach: the criticism of the enlightened modernity and, at the same time, of an adequate literary philosophical style. A style that seeks in its own form of presentation to confront the logic of modern ideals of progress. In particular, we discuss the first chapter of the Dialectic of Enlightenment, The concept of Enlightenment (1947),written by Adorno and Horkheimer, to give more concreteness to the very concept of progress they developed. After this first step, other texts by Adorno help us to interpose the relationship between art and society in the field of aesthetics: The Idea of Natural History (1932) and Aesthetics (1958/59). Finally, we link the discussion to the concept of presentation that Benjamin uses in the last text of his philosophical work, which translates, together again with the notions of form and content, a politics of writing impervious to the logocentric modes of traditional thinking.