The research investigates, through a theoretical and practical approach, the relationship between the aesthetic dimension of the human sensible experience and the phenomenon of production of subjectivities – in a dialog with the field of thought on aesthetics –, analysing a possibility, offered by the experimentation in contemporary artistic practices, of flexibilization, or even rupture, with the visibility and materiality regimes that configurate man s shared reality. A set of artistic practices I conducted throughtout the research is taken as reference, including works from artists such as Marina Abramovic and Ulay, Chris Burden, Orlan, Stelarc and Tehching Hsieh, whose poetics consist essentially on the intertwining of daily processes and artistic practices; a displacement poetics. It is understood that through this aesthetic production it is possible to contemplate strategies of the (subject s) body analogous, in specific terms, to an idea of processes of subjectivation that allow the subject to have an experience of displacement of self onto itself, a problematization of the very process of constitution of a subjectivity. This way, an understanding of the means through which aesthetics may configurate the subject s mode of existence is intended, delimitating the way they operate in the world through its manifestations, as is the questioning of the possibility of reconfiguration of such operations through the aesthetic formative intention of contemporary visual and plastic arts.