This article aims to look at artistic productions that place themselves at the frontier between performance, dance and visual arts, and the contemporary debate about the Antropocene. A series of works and articles, national and international, frame different forms of producing art in this context, and suggests questions that induce us to think and to transform modes of existence in face of an uncertain future, in a plant undergoing a process of destruction. Artists, philosophers, scientists, politicians, animals, plants, rivers and other beings speculating, together, a possible future for the ends of the worlds that are in place. We start from the presupposition that the arts, the sciences, and cultures are viscerally connected to the ecogeopolitical engines of reality, and therefore are platforms from which new possibilities of thinking, diagnosing, inventing and transforming the times spring. Some guiding questions for this text are: how are art and the phenomena linked to the Anthropocene connected? How can artistic practice address political and social change for the moment in which we find ourselves, in planetary terms? How can the figure of the artist propose new narratives, games and aesthetics for a humanity in risk? And, in reverse direction, in which ways the present times disarticulate paradigmatic representations about the artistic activity, and its relation to the domains of science and politics?