The thesis presented is the first movement of a research-intervention which seeks to map the writing process, approaching the writing of the gesture. We nominate for intervention-research because this movement assumes a dip in claims experience and the inseparability of knowing and doing, between research and action. This mapping, transformed into a dissertation, part of the following problem: we want to take the writer to the arduous task of cracking the words-wall? Wall-words are both opening and the failures of this opening, say, in its construction, which is useless hit them hard, it needs another body, perhaps the body of a subject, dissolved them to mine and lime them with the utmost patience. What body would that be? The clues are in the relationship with the spelling of the body: a dance on the earth, drawing on a wall, a mark on the body. The writing and experience the warmth and body. The notion of story here to us was very helpful, because it made the bridge between body experience, spelling. It is imbued with it that we get to the construction of the notion of cross-reporting, writing process in which the author figure is diluted in a delivery constructed from many simultaneous births to no more sense in speaking of paternity (and hence of authorship, property, etc.). The author gives way to a creative agency, producing endless and incessant realities. The real place here as creation. This first movement was concerned with working with some theoretical devices that would help to build the concept of trans-reporting, need to think about writing on the border between literature and journalism.