The dissertation attempt to create, through an epistolar network, a hypothetical portrait of an era. Using the letters as a document of what could be called a generation, but leaving the chronological sense of the term behind and embracing its generator aspect, this work puts together an epistological conversation between artists that create from similar or complementary starting points – experiences. Using as a starting point the event CEP 20.000 – an important artistic and experimental stage in Rio de Janeiro, working as meeting and melting point to poets, composers and music acts, actors and performers since 1990 -, this dissertation finds in the death of Ericson Pires – writer and one of the founders of CEP 20.000 – the spark that lights the fuel to this collective trading-letters network. Using the overlap and friction of voices and speeches to expand any idea of generation, the project doesn t really look for one symbolic conclusion. Merging these speeches, staging the epistolography of an group in a period of time, a point of stimulation, some kind of dialog – private and, at the same time, fictional; confessional but yet critical – are the goals that this project forward to reach.