This work aims to demonstrate the importance of the lyrics composed by Noel Rosa for the carioca and Brazilian culture. The lyrics of those sambas, filled with a humoristic vision, can reveal a little of the social universe that our artist lived and what he nowadays has yet to tell us. Therefore, it was necessary to study the role of the culture and its interpretation, for a better comprehension of society, discussing the importance of artists and their art as formulators of culture, as well as to approach them as cultural mediators and also creators of social interests. We start to envisage the preponderance of samba as a historical and carioca and also Brazilian social phenomenon, and its trajectory until reaching our composer, having his lyrics as our objective of study: Noel Rosa, revealing a little of his biography, demonstrating his importance for the world of samba and how his social vision can represent a differentiated view upon society. We classified this view distinguished by the presence of humor discourse, we also make an analysis of how the laugh language is developed and its counterpoint with the established order. Finally, we highlight some social relations that are present in the Noel s work, focusing on two related behaviors: the rogue and the aristocratic willingness.