What is the political dimension of aesthetics in the value hierarchy of the bodies in a given society? How a bodily experience through dance can contribute to the breakdown of other policies otherness of that same society? Mobilized by these issues, the text examines the trajectory of young people in the context of social and artistic nature projects in the city of Macaé. It is proposed to prepare an essay on some of these experiences with dance as a counterpoint with two perception systems regarding the action of the subjects involved in the same: the provision and role. So before it was necessary to reflect on that dance forms, techniques and methodologies of teaching and creative processes observed. These trajectories are analyzed having as parameter some policies to be considered excluded social groups in the city, and in turn targets of social inclusion programs in the country. It has been intended to reflect on the categories excluded / included and conceptions of society that accompany the dimension of stigma, trying to identify the light of theories openings for the interpretation of the performances of individuals and groups. Through an ethnographic approach and participant observation, it sought a rapprochement with those involved in order to capture conflicts and clashes related to representations of themselves, each other and work experience with dance.