The main objective of this research is to analyze the cinematographic strategies that are features of filmmaker Pedro Almodóvar s work. Specifically, our aim will be the relations of the cultural intersection zones that reveal new ways in which one lives in the contemporary world. For that matter, this study creates a discussion of various elements present in the primary source: the last film by Almodóvar released in the international market, Volver (2006). This dissertation is based on three points that are also the main focus of each chapter: the first being the different forms of dealing and experimenting with the notion of time; the second, the reconfiguration of the melodrama and the high art / mass culture division; and finally the third, the spacial construction of the film and the representation of the city.