A profound human experience in itself, marriage rises to the status of a divine institution by design of the Creator, who inspired the sacred authors of all times to use the spousal relationship as the symbol par excellence to describe His own relationship with the chosen people. This symbolism runs through all types of literature, both the OT and the NT, imbuing them with its images. In the NT and in particular in the Synoptics, Matthew seems to have been the evangelist who most captured this Old Testament tradition of YHWH-Husband and reproduced and translated it for the Bridegroom Christ. In his nuptial trilogy Mt 9,14-17, Mt 22,1- 14 e Mt 25,1-13, Matthew rescues the history of salvation, which culminates in the final eschatological banquet. The pericope Mt 22,1-14 is the one which best portrays and reveals this entire story, based on a wedding feast that the Father prepares for his Son. Through the analysis of the pericope and its framing in the trilogy, it is clear how Matthew uses nuptial symbolism to instigate his community to perceive the novelty brought by the Son of the King and the need for personal accession to Him. A bibliographical research was carried out and the analysis was based on a diachronic approach, through the historical-critical method.