This research addresses videodesign, narrative strategies, production, and the memory of material culture, as well as the levels of reality proposed by Pier Paolo Pasolini. The work focuses on the Project Rocinha, Foco na Cultura, carried out using techniques from Museu da Pessoa, in partnership with the DHIS Laboratory, Rocinha em Foco and Museu Sankofa da Rocinha, with financial support from the Favela Inteligente grant, provided by FAPERJ. It aims to promote local workers as a way to nourish the memory of practices and enhance the dissemination and appreciation of knowledge. Therefore, the dissertation assumes that there is a relative invisibility in the mainstream media and academia regarding the productive processes of peripheral cultures. Within the audiovisual scope, the objective is to understand if there is a new Pasolinian reality in the multiplicity of alternatives on using this media in contemporary times. Its experimental approach creates a video that narrates this new specificity focused on the multiplicity of supports and functions. The connection between the university and the favela, social media and museums, audiovisual and various materialities, the handmade and the industrial, as well as between memory and its dissemination are some of the relationships that will be used to propose a new reality according to the author s logic.