Fanonian thought is notoriously known due to its political character, given its radicality both as a critique of Western society, structured through a process of hierarchical racialization, and in its formulation of a project for the emancipation of the colonized through the use of revolutionary violence. However, his work is not limited to a strictly propagandist political-revolutionary dimension, having elements that allow, through his writings, an in-depth analysis of both the objective conditions of concrete reality, as well as the subjective dimension, especially with regard to the process of subjectivation of the colonized black people. In this sense, I argue that Frantz Fanon s work makes up a continuous construction that cannot be dismembered, needing to be seen in the same theoretical complexity with which it was written, so that there is, in his thinking, from his first to his last work, the presence of elements that are presented, revisited and modified, functioning as a common thread: the body, freedom and violence. Using an analysis guided by the search for the ontological priority of the object, I argue that the author s vivid experiences modified both the understanding and the apprehension of the three concepts, by accentuating the centrality of colonialism and racism in the process of consolidating the capitalist enterprise that is the contemporary neoliberal society. I therefore maintain that Fanon s work has a non-negotiable epistemic helmsman as a triad of understanding the subject (language, subjectivity and society), where the ontogenic model is replaced by the sociogenic model.