This dissertation aims to reflect on a preliminary conceptual formulation that I call cenomatography, developed from the undergraduate degree in Performing Arts, completed in 2021 at PUC-Rio. In this work I propose a discussion about artistic genres such as theater, cinema, performance, music and audiovisual with the aim of understanding some hybridization processes. I propose to outline a path of discussions about contemporary times and current technological means, which have strongly contributed to the production of artistic materials in the context of the covid-19 pandemic. Using as a reference three distinct productions produced in this period, I seek to cover academic discussions to examine cultural manifestations that took place in the recent past: the first is a virtually reproduced play entitled Vozes do Silêncio - Filme não Filme (2021), directed by Fábio Ferreira with acting by Carolina Virgüez, available on the Zoom platform; the second is the album Inbred (2021) and the video clips generated from the songs of singer Ethel Cain and the third production is that of actress Isabela Mariotto, from Teatro Oficina Uzyna Uzona, who maintains a character on the social network Instagram, a social network where has been recording his videos since the beginning of the pandemic, in 2020. The proposal is to develop an analytical and comparative reading of cultural objects produced, during the pandemic, by these artists, seeking, at the same time, the preliminary development of cenomatography as a possible concept.