The objective of this thesis is to interpret and explain the multiplicity of male homosexual spatialities produced in a society still dominated by a heteronormative discourse and exemplified in the films Brokeback Mountain, Praia do Futuro and Moonlight. Currently, issues about sexual and gender identities are gaining greater prominence in different areas of knowledge. In this thesis, we bring such questions to geography, as we believe that sexual and gender plurality needs to be seen and understood from subjects with multiple trajectories and particularities that intersect, connect and disconnect, thus producing multiple geographies, multiple spatialities. When referring to male homosexuals, we realize that, due to the homophobia that lasts for centuries in society, many of them produce spatialities that deviate from the hegemonic heteronormativity, such as those observed in the films Brokeback Mountain, Praia do Futuro and Moonlight. We emphasize the production of male homosexual spatialities as a moment inserted in a movement of construction of spatialities in which inequalities are eliminated and the right to difference is guaranteed.