The present research is a journey. A search for understanding rhythm, in its paradoxes and deviations, as a power. Something that can be contagious, seductive and can alienate, but also, and mainly, can activate our reconnection with ourselves, with the world and with people. In the frenetic and artificial fluxes of contemporary reality, we follow the assumption that we should retake our body as vibration, in its capacity of affecting and being affected. And the intuition that rhythm, in its logic and organicity, is a powerful mode of producing esthesis. As a time cut, able to simulate simultaneities and create atmospheres, rhythm is noted here in the multiplicity of possibilities created by audio recording and edition technology. On the fluid margins of sound poetry - where voice, our most visceral expression, emerges as presence -, the mediation of the machine stands out in the deconstruction of the language and rearticulation of words in textures of multiple sound layers. We investigate how the new rhythms created from there interfere in the established order, confronting semantics, creating disruptions, suggesting new ways of flowing, producing intensity.